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Festival

Vierte Welle Film Festival presents:

Cuir Pride 2026

Short Films

Thursday, 16 July, 8:00 pm

Jabberwockies
Film Still: “Jabberwockies”

Galimatazos – Jabberwockies

Chile, 16:51 min, director: Oscar Marín

Fiodor, 20, a young gay man, agrees to hookup through a dating app with Simón (22). When they begin to get intimate, his discomfort overwhelms him, and he starts expelling letters from his body. Together with Simón, they'll try to arrange them and make sense of them.

Las cenizas de mi madre – My mother’s ashes

México, 14:56 min, director: Ximena Chiunti

After their mother’s death, two siblings return to the place where they grew up to take care of an abandoned house. Amid memories and tension, they confront their differences: one wants to sell and leave, the other to stay. By letting go of the past, they find a way to reconcile.

No mientas – Don’t Lie

Venezuela, 12:30 min, director: Anwar Hasmy, Leonardo Gutiérrez

An unexpected visit threatens to reveal a well-kept secret. While his partner is away, a not-out gay man hurriedly erases every trace of their shared life before a relative’s arrival. But a single misstep could shatter the fragile facade he has built.

Memorias Sinvergüenzas – Shameless Memories

Uruguay, 8:35 min, director: Rocío Llambi Scirgalea

A photograph titled “I am a lesbian from this country” and in the center of the image a person with their face covered. A first-person search through fragments of archives, geographies, eras, and stories unfolds to find the protagonist of that photograph.

Nunca fuimos un desierto – We Were Not Desert

Argentina, 13:00 min, director: Agustina Comedi, Chiachio & Giannone

This short film was born from an installation by Argentine textile artists Chiachio & Giannone. In it, a group of dancers, wearing dresses crafted and sublimated by the artists, challenge the choreography of the "Pericón," the national folk dance, to question the portrayal of a homeland projected as white, binary, and civilized.

Ponto e Vírgula – Linger

Brazil, 17:33 min, director: Thiago Kistenmacker

João and Vitor used to be paramours but haven’t spoken to each other for 30 years. At 70, they reunite and reconcile past, present, and a possible future after the passing of Vitor's wife, at a moment when so much of their lives seem to have reached an end.

zur Zeit keine Vorstellungen

Vierte Welle Film Festival presents:

Cuir Pride 2026

16+23 July

El silencio es un cuerpo que cae – Silence Is a Falling Body – Poster
Image from the Poster for “El silencio es un cuerpo que cae”

Cuir Pride is more than a screening. It’s a political gesture and a meeting point for the Latin American “cuir” community in Berlin. A space to find each other, share our stories and build networks through cinema.

To say cuir, not queer, is to reclaim a word from the South, from migration, from our own bodies, desires and memories. The fourth wave of feminism takes up the struggle of LGBTQ+ and FLINTA+ artists who were silenced, marginalized or erased from the big screen and makes room for the new voices making their mark in film.

Because our images matter, now more than ever, as a rising right tries to deny our existence again. Because seeing ourselves together in a cinema is still a form of resistance. We share, we educate and we bring visibility to cuir and FLINTA+ filmmakers from Latin America.

Against forgetting. Against hate.
By those who came before, for those who come after.

www.viertewellefestival.com


Curatorial Statement

To say cuir [queer] is to dispute a word loaded with colonialism: it is to reappropriate the insult and make it our banner from the South, from migration, from our bodies, desires, and memories. And because letting others name us means letting others tell our stories. We are here to tell our own stories: seeing each other together in a movie theater continues to be a form of resistance.

This year’s selection traces a chronology. We come out of the closet to shout that we are here, and we search for family: are they with me or not? The family of origin sometimes sustains us and sometimes expels us; the cuir family, the one we choose, puts us back together when the other fails. Then comes the search for our role models, those who prove that this life has already been lived before, that there is genealogy and not loneliness. And the debt that ignites us: to fight for those who carried the memory of when everything was forbidden AND for those who are to come.

And at the end is what they most want to deny us: happiness. After coming out, searching, and fighting, what remains is understanding that we can also be happy, that we deserve it. As Celeste Carballo sings: “I am what I am, and I don’t have to make excuses for that. I harm no one, no one, no one. The sun shines just the same for me and for them.”

We are not going to apologize for our existence, nor are we going to pretend just to please anyone. They want to extinguish us, but how do you put out the light of a cuir person?

You can’t. We came to shine, whether they like it or not.
We are never going back to the closet!

Gabriela Gioia

 

Fr 24.07.

keine Vorstellung

Fr 31.07.

keine Vorstellung
August