“It was a terrible kiss, shockingly bad; Margot had trouble believing that a grown man could possibly be so bad at kissing.”
Margot, a 20-year-old college sophomore works at the local “artsy movie theatre”; 34-year old Robert is a customer. She flirts with him. The following week he comes back and demands her number. The pair engages in a heated texting romance, by which Margot’s projections and expectations run high. But as witty and engrossing his messages seemed to her, she finds real-life Robert in turn opaque, awkward and ultimately threatening when they finally meet…
Based on a New Yorker’s short story gone viral at the peak of the MeToo movement in 2017, “Cat Person” is an unsettling tale of ‘meet-cute gone wrong’. It explores the abysses of modern dating and the grey area of sexual consent in the post-MeToo age.
In its screen adaptation by director Susanna Fogel, Kirsten Roupenian’s story loses some of its wit and nuance in favour of suspense, turning “Cat Person” into an efficient psychological thriller. But the fundamental – and highly relatable, issues of the original story remain; so does their polarising potential across gender and generations. This explains the widely diverging reactions sparked by the famously cringy sex scene at the film’s Sundance premiere. As we witness how Margot painstakingly justify to herself going through with a sexual intercourse she’s no longer wishing and already regrets, we squirm and wonder.
What besides a clear and loud “no” can signal unwanted sex? How much does age gap account for power imbalance in a sexual encounter? What about this unspoken ‘gender casting’ that keeps ascribing women to the subordinate role, as the person to whom sex happens – the one who’s supposed to ‘consent’? Why are women so prone to be so stoic, so ‘polite’? Why is it so hard to change one’s mind and say “no” in sexual situations like in other social contexts?
These are some of the many issues explored by Manon Garcia in “The Joy of Consent: A Philosophy of Good Sex”, published by Harvard University Press last month. In her second book, the French-born philosopher deftly unravels the complexity of gender relations in heterosexual sex, and reframes the polemical notion of consent as an ally of pleasure rather than a legalistic killjoy.
Manon Garcia will be our guest for a unique Q&A + discussion with our audience (in English).