Teheran, Oktober 2022; ein Theaterensemble probt die altgriechische Lysistrata von Aristophanes. Mitten in einer Szene, in der Männer die Akropolis stürmen, die die Frauen von Athen eingenommen haben, erfährt das Ensemble, dass sie umzingelt sind. Anti-Aufruhr-Kräfte marschieren um das Gebäude und schlagen eine große Demonstration nieder. Der Lärm von der Straße ist ohrenbetäubend. Einige der Ensemble-Mitglieder wollen sich sich verstecken, andere auf die Straße gehen und an der Seite des Volkes kämpfen. Trotz aller Meinungsverschiedenheiten ist eines klar: Das Team will die Arbeit am Stück während der Revolution nicht fortsetzen.
Tehran, October 2022; a theater ensemble is rehearsing the ancient greek Lysistrata by Aristophanes. In the middle of a scene in which old men storm and attack the Acropolis, which the women of Athens have taken, the ensemble learns that they are surrounded because anti-riot forces are marching around the building and putting down a large demonstration. The street noise is deafening, and the room is filled with fear and anger. Some want to hide, others, led by the leading actress, want to go out into the streets and fight alongside the people. Despite disagreements, one thing is clear, the team does not want to continue the play in the time of the revolution. And moreover, they will never again work under censorship and regimentation of the regime. The sudden entrance of four strangers from the street brings the scary reality from outside into this closed and isolated safe environment. The ensemble stays in the rehearsal room for the night and engages in an attempt to improvise on the stories from outside, using their bodies and acting skills as forms of civil disobedience.
